Sometimes (always) I worry about the power of my words. Years from now, what will my children think when faced with a pile of half finished journals? Some just messy writing, some painting, some awkward pictures mixed with words. If I am too honest, will I damage them?
If I am too honest, will the people who (will) read my books turn away from my stories?
Writing this makes it seem so simple. I think I am at my most beautiful when I am the most me – even when ‘me’ can struggle so much, can say the wrong thing at the terribly wrong time, can be so doubtful about all that I am. Because that’s just part of me: of course there is another part who thinks I am limitless and beautiful. But the older I get, the more I realise that the limitless me makes the rest of me only feel more glum.
Look at all the books I have not written! Look at that opportunity to write a film for a new director that I turned down! Look at the manuscripts (that I recently had my wife dig out of obscurity) sitting in a pile, thick sheafs of paper just heavy paperweights.
Literal weights made of paper, heavy in the corner. Making the air thicker, making me more fearful and more hopeful. I remember the time I gave a novel, sealed in a thick manilla envelope, to a friend. I had her hang onto it, had her mail it to me. Was it my old therapist, was it the powerfully brave and insecure woman I met on my therapy training? I don’t remember that.
I remember the terror of giving my words to someone else. I remember anguish at knowing she wouldn’t read what I’d written, but relief because I’d asked her not to. She carried a bit of my weight.
And these women surrounded me. My therapist was one that was a happy meeting of need and want. My course required us all to undergo a significant amount of personal therapy; a damaging, world blown wide open bereavement made me realise how much I needed a place to just try to claw myself out of the blackness that death brought into my life.
My therapist was good friends with a well known author. She also was a therapist of other writers, other creative types. And she said I said the same words they did, in the same way. Sometimes she laughed, in this gentle, loving way, and shook her head. Told me I talked like a writer and it was so apparent. And I knew she was frustrated with me, the same way my friend on the course was. She said the way I spoke about writing made her know I was a writer with talent, with love, with the chance to actually do this thing.
Ah, I thought. But they’ve not read my words. What do they know?
And I sit here tonight, wondering what it is that I know. I’m in the same place creatively I was when I started training as a therapist, almost ten (!) years ago now. Stunted, bent, thick and close to the ground. But not broken.
Perhaps that is all I need to know now. I am not broken, no matter how the darkness sometimes presses against me, no matter how deep into my core it goes. I don’t know if I want to extinguish it; I don’t think so.
I have darkness from hope unfulfilled, from little kid love damaged beyond repair, from death and all the ways that destroyed me.
But I’m still here. And these people and places are part of me. Even the people I no longer have in my life, and by those I mean the ones still alive I choose to not welcome into my life. Those are branches of my own little tree of darkness I pruned not for myself, but for my children. For my sanity.
Those discarded branches don’t seem to rot away and melt back into the earth like normal branches. They hang around, they hurt me when I catch small glimpses of them. But seeing them is reminder enough of the tremendous hurt they could cause if I somehow tried to reattach them.
So I am here. Stunted, bent, thick and close to the ground.
But not broken.